Tag Archives: patreon creator

More on the Subject of Patreon

A common discussion among the Patreon creators community is what a successful Patreon campaign looks like and what it could mean for each of us.

Lately, I’ve been thinking about this question.

A lot.

And what I’ve come up with is something maybe a little off script.

See, my current day job is in a corporate mall hair salon. I enjoy it, most of the time, but it comes with a fair share of headaches. One of the things I enjoy most is the people. As an extroverted personality type, I need people to function properly. I spent a lot of time in isolation before getting this job and my creativity suffered for it.

But now, I feel like the place where I am doing the job has become a drain.

That is due, in part, to the state of the world at the moment and especially now that the governor of Colorado has eliminated the risk dial and turned restrictions and mandates over to individual cities and counties. The county where I live has put into effect what they are calling “Free to decide,” which has and will continue to create holy chaos as everyone starts making their own choices.

Corporations are still going to require the strictest policies, opting for national regulations over local.

The State of Colorado Department of Regulatory Agencies that is in charge of licensure for people like me in the personal services industries is still abiding by CDC recommendations meaning everyone with a DORA license must (should) also follow those regulations.

And us poor schmucks with the licenses get caught in the crossfire. Maybe literally given our Congressional representation *eyeroll*

But all of that is only part of it.

The other part is I work with nine other women. We are split 60-40 liberal to conservative, which shouldn’t be a problem except that nothing in our lives is done without political slant anymore. Wear a mask, you’re a liberal. Carry a gun, you’re a conservative.

Support basic human rights? Liberal.

And that’s the clencher right there.

The four “conservatives” I work with: openly and regularly refer to trans people as “it;” constantly malign Black Lives Matter; refuse to believe in white privilege; and decry the science behind the mRNA vaccines; believe liberals are lazy and entitled for wanting “free stuff,” among a laundry list of other things I am forced to listen to every day I work with them (which is every day I work). They refuse to keep their “political”—and I use that term ironically—conversations within their sphere. You are welcome to discuss whatever you want with your clients but don’t share those conversations with me or my clients, thirty and forty feet away.

Inside voices!

So, I feel like all of that negativity and—yes, I’ll say it—hate is draining all of the energy from my creativity. To that end, I would love to make a steady, reliable $500/month from Patreon to pay for rent on a studio salon. I could work the hours I want and write when I want. I could even write in my studio between clients. I’m still not sure I have the clientele to make this work but if I could, I think getting out of the toxic environment I find myself in currently would be a game changer. And I’d still be putting their patronage toward my writing, just in a round-about kind of way.


If you enjoy my content and would like to help me be able to create more, join me on Patreon or buy me a Ko-Fi.

Subscription support Platforms

Why do independent artists sound like they’re begging you for money all the time?

The answer? Because we probably are.

The thing is the creation and promotion of art, in any medium—be it paint, sculpture, music, writing—is costly for the artist. And even a represented artist ends up spending a lot of their own money to fund their dreams.

I can skim over the costs of being a professional musician, having known several of them over the years. But obviously, my knowledge is in the costs of being a writer.

So

Let’s talk about that.

First, let me begin by saying, obviously, there are ways to do it for free. It’s like trying to get to China in a rowboat, but it can be done.

However, if any artist—writer, musician, painter—wants to make a real living out of their art, they can’t skate by on free. At least not all the time.

Sure, you can recruit a trusted, honest, sympathetic group of writers to serve as beta readers and forego a developmental editor.

You can use the spelling and grammar checker in MS Word or Google Docs and forego the copy editor (warning, the grammar bot doesn’t catch everything!).

I have enough experience with graphic design that I can comfortably make my own covers. I am learning to sculpt in Blender so that I can make my own covers without using stock photography. And Creative Commons is free, but you can’t always find what you want there.

You can go to Pexels or Pixabay and download videos for trailers or teasers, but the really good stuff is only available with a free account.

The point is for everything we can do for free, there is a paid version that is going to offer a little more. There are sites like Bookfunnel or AllAuthor that send out newsletters with new releases, but you have to pay to be part of them. AllAuthor offers instant book cover mockups but maybe four or five layouts for free. If you want more, you have to sign up for the pro account.

Wix is an incredible website design and hosting platform. But if you want your own dot com, you have to pay for that. If you want your own contact@you.com email, you have to pay for that. If you want to sell your books directly from your site . . . yep, you guessed it. A paid add-on.

And most of these things are cheap. Five to ten dollars per month or maybe $100 for a year. Not much if that’s all you need. But when you need ten things that are $100 per year . . .

So, we sign up for Patreon or Ko-Fi or similar because—especially in the beginning—it’s hard to make the kind of money we need from book sales alone. Maybe you sell 1000 copies the first week or the first month but then you sell five or ten the next month and three the month after that. But with subscription services like Patreon, all you need is 100 people who appreciate your work enough to give you $5/month and BOOM! Your website is paid for, your advertising budget is secured, maybe your registration for a con or two. And all each person had to invest is the cost of one (or two, in my case) cup of luxury brand coffee each month.

That’s why you find these video game players on Twitch who are making a couple thousand dollars a month. Because 1000 people pledge $1 to see their content. That’s the breakdown. It really is that easy and that hard, all at the same time. The support subscription model really is pretty awesome.

Providing you have the kind of content people want to pay for. And that’s where the real work starts.


Patreon
Ko-Fi

Out With the Old

I am not a proponent of new years resolutions, generally speaking. While I’m not an extremist zealot about it, I do, sometimes, think seriously about the ridiculousness of time and dates.

Last year was a constant barrage of how horrible 2020 was and talk of yelling Jumanji instead of Happy New Year at midnight and the more those talks continued, the more I thought about this arbitrary thing we call a year.

At 11:59 pm, November 1, 2001, I was not mature enough to drink alcohol. At midnight, sixty seconds later, I magically matured. I feel like New Years Eve is the same concept. 12:01 am January 1, everything resets and all the problems of the previous year are erased.

So I don’t get on board with resolutions.

Goals are a little different to resolutions, though, and I saw someone else talk about the things they are leaving behind in the coming year–everything from judgment to junk–that no longer serves them. So I thought I’d try a little of that.

First off, goals.

I obviously have two books coming out this year. I heard a lot of excuses regarding the status of the first one and why C0VID was to blame for it’s low performance but truly I hope it’s because it’s the first of a series and people are waiting until they can get all three. Because I don’t find comfort in the idea that in a year of homebound free time, the reason people, who are boasting about reading 2-300 books in 2020, did not buy mine.

No, I’m far more comforted by the idea that sales will jump in September with the release of the third book.

But in addition to that, I want to put out some short fiction.

I don’t know that I want to get involved in more anthologies. They are a lot of work for what amounts to “exposure” in the long run.

Sure I have awards from Dragons Within and an LGBTQ bestseller for Fractured Realities but …

A lot of work for very little pay off.

That’s not saying I won’t take the opportunity if the right one comes along; I just don’t plan to seek them out.

In terms of what I want to leave behind–I have taken on a great deal of anger in 2020 and I don’t like it. I am not an angry person but circumstances–

I have absolutely heard people outright refuse to be vaccinated then in the next breath suggest none of this is ever going to end; masks and isolation are life now, concerts and festivals and conventions will never come back. Well yeah, Karen, if you refuse to get a FREE AND SAFE vaccine, then, yes, you’re correct. It will never end.

But I don’t want to be angry. I am a positive, kind, pleasant person. My customer service voice IS my normal voice. I want to be that person again.

So I guess that’s my how we’re starting 2021 post. If you want to follow along on these quests, follow me here and join me on Patreon.

Venting Frustrations

I want to be completely honest and transparent here for a moment.

Motivation is becoming more and more difficult for me to find. For anything. Lack of reviews on my book make it hard to want to finish the trilogy. Lack of participation in my Facebook group makes me not want to post there. Lack of participation on my Patreon makes me not want to post anything there.

And dealing with negative conversations and attitudes in my day job makes me dread going there every day.

I am normally a positive, people-person but I just want to tuck myself away and not see or talk to anyone. Because seeing people and talking to people, right now, makes me frustrated and angry.

I saw a conversation a few days ago between an author and a reader (who were also friends). The reader wanted to know when the author would be releasing the next book in one of her series. She called him to the mat and said sales on the first one were dismal and it had literally ZERO reviews so she was focusing on the series that had been successful. His response was to tell her he didn’t understand why no one reviewed it; it was soooo gooooood.

He didn’t even see the irony of his statement.

If it has literally zero reviews, that includes you, pal.

And part of the reason this conversation caught my attention is this same reader has told me the same thing about my series. It’s so good!

Okay? So? Don’t tell me, tell other people.

Sign up for (and read and share) newsletters.

Get involved with Patreon campaigns.

Buy books for friends.

Join reader groups and tell people there.

And for the love of everything good and green on this Earth, LEAVE A REVIEW!

Building Something Unique

I have set a goal for myself to promote my work to readers. I understand that writers are also readers but readers who are not writers, I feel, are less likely to be interested in things like editing tips and tips for developing characters or writing good dialog.

Not to mention, it seems like every other writer thinks this is the way to go with their platform building. Cater to other writers. Share your tips with other writers. So doing that makes me feel like just another bark in the kennel.

But I don’t know what to do—outside of sharing stories—to cater to readers instead of writers, or to cater to the reader side of other writers.

Obviously, sharing stories is important but I also don’t feel like I have the mojo to do that consistently.

I’ve been mining my old work, finding anything I think is worth sharing again. But I’m also quickly running out of old work to share.

Ideally, I would just write, all the time. But I need the connection of being around other human beings in order to keep my creativity flowing. And lately, that connection has been a source of nothing but frustration and irritation. Which is not nurturing. Not at all.

I don’t know the answer. I just want to stand out, be different and original, not blend in with what all the other writers are doing, while still doing things that will resonate with the people I need them to resonate with.

If you are interested in finding out more about what I AM working on, find me on Patreon, Instagram, and TikTok.